Albrecht Durerb.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg | |||
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The Women's Bath ID de tableau:: 63679 Voir la galerie dans Suède |
The Women's Bath 1496 Pen, 231 x 226 mm Kunsthalle, Bremen Weak in its perspective and not yet quite clear in its representation of forms, this drawing nevertheless possesses significant qualities: a strong feeling for corporeality and for rich configuration. Form is suggested by light, jumping strokes of the pen, with the vagueness typical of the early period. A painterly effect is sought in the darkness of the wall and ceiling, in which the grain of the wood is disproportionately emphasized, as in the art of the primitives.Artist:D?RER, Albrecht Title: The Women's Bath Painted in 1501-1550 , German - - graphics : study 1496_Pen,_231_x_226_mm_Kunsthalle,_Bremen_Weak_in_its_perspective_and_not_yet_quite_clear_in_its_representation_of_forms,_this_drawing_nevertheless_possesses_significant_qualities:_a_strong_feeling_for_corporeality_and_for_rich_configuration._Form_is_suggested_by_light,_jumping_strokes_of_the_pen,_with_the_vagueness_typical_of_the_early_period._A_painterly_effect_is_sought_in_the_darkness_of_the_wall_and_ceiling,_in_which_the_grain_of_the_wood_is_disproportionately_emphasized,_as_in_the_art_of_the_primitives.Artist:D?RER,_Albrecht_Title:_The_Women's_Bath___Painted_in__1501-1550___,__German__-_-_graphics__:_study |
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Design of a Goblet with a Variant of the Base ID de tableau:: 63680 Voir la galerie dans Suède |
Design of a Goblet with a Variant of the Base 1515 Pen, 256 x 167 mm British Museum, LondonArtist:D?RER, Albrecht Title: Design of a Goblet with a Variant of the Base Painted in 1501-1550 , German - - graphics : other 1515_Pen,_256_x_167_mm_British_Museum,_LondonArtist:D?RER,_Albrecht_Title:_Design_of_a_Goblet_with_a_Variant_of_the_Base___Painted_in__1501-1550___,__German__-_-_graphics__:_other |
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Head of an Apostle Looking Upward ID de tableau:: 63681 Voir la galerie dans Suède |
Head of an Apostle Looking Upward 1508 Brush drawing with white highlights on a dark ground, 288 x 207 mm Staatliche Museen, Berlin Study for the Heller Altar. The modern mistrust of any calligraphy in drawing should not be allowed to blind the viewer to the new psychological greatness that such figures introduce into German art.Artist:D?RER, Albrecht Title: Head of an Apostle Looking Upward Painted in 1501-1550 , German - - graphics : study 1508_Brush_drawing_with_white_highlights_on_a_dark_ground,_288_x_207_mm_Staatliche_Museen,_Berlin_Study_for_the_Heller_Altar._The_modern_mistrust_of_any_calligraphy_in_drawing_should_not_be_allowed_to_blind_the_viewer_to_the_new_psychological_greatness_that_such_figures_introduce_into_German_art.Artist:D?RER,_Albrecht_Title:_Head_of_an_Apostle_Looking_Upward___Painted_in__1501-1550___,__German__-_-_graphics__:_study |
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Sebastian Brant ID de tableau:: 63682 Voir la galerie dans Suède |
Sebastian Brant 1520 Silverpoint on paper, 194 x 147 mm Staatliche Museen, Berlin The silver point drawing presumably contains a portrait of the Basle legal scholar and humanist Sebastian Brant, created during the journey to the Netherlands. Brant, who had been D?rer's sponsor and client during his stay in Basle, was staying in the Netherlands at the same time as the artist in order to represent the city of Strasbourg at the court of Emperor Charles V. Seen in a three-quarter profile looking to the right, he appears to us as a critical, older gentleman. Though his arms and hands are only sketched in, D?rer concentrated particularly on creating a natural depiction of the face. In about 1520, when the portrait must have been produced, Brant had already gained international fame through his moralizing and satirizing poetic work, the Ship of Fools.Artist:D?RER, Albrecht Title: Sebastian Brant (?) Painted in 1501-1550 , German - - graphics : portrait 1520_Silverpoint_on_paper,_194_x_147_mm_Staatliche_Museen,_Berlin_The_silver_point_drawing_presumably_contains_a_portrait_of_the_Basle_legal_scholar_and_humanist_Sebastian_Brant,_created_during_the_journey_to_the_Netherlands._Brant,_who_had_been_D?rer's_sponsor_and_client_during_his_stay_in_Basle,_was_staying_in_the_Netherlands_at_the_same_time_as_the_artist_in_order_to_represent_the_city_of_Strasbourg_at_the_court_of_Emperor_Charles_V._Seen_in_a_three-quarter_profile_looking_to_the_right,_he_appears_to_us_as_a_critical,_older_gentleman._Though_his_arms_and_hands_are_only_sketched_in,_D?rer_concentrated_particularly_on_creating_a_natural_depiction_of_the_face._In_about_1520,_when_the_portrait_must_have_been_produced,_Brant_had_already_gained_international_fame_through_his_moralizing_and_satirizing_poetic_work,_the_Ship_of_Fools.Artist:D?RER,_Albrecht_Title:_Sebastian_Brant_(?)___Painted_in__1501-1550___,__German__-_-_graphics__:_portrait |
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Study of a Man with a Drill ID de tableau:: 63683 Voir la galerie dans Suède |
Study of a Man with a Drill 1496 Pen and ink on paper, 251 x 151 mm Mus?e Bonnat, Bayonne This is a study for the lower right panel of The Seven Sorrows of the Virgin (Gem?ldegalerie, Dresden). The panel depicts the Nailing to the Cross, where a man in the centre is drilling a hole in the Cross.Artist:D?RER, Albrecht Title: Study of a Man with a Drill Painted in 1501-1550 , German - - graphics : study 1496_Pen_and_ink_on_paper,_251_x_151_mm_Mus?e_Bonnat,_Bayonne_This_is_a_study_for_the_lower_right_panel_of_The_Seven_Sorrows_of_the_Virgin_(Gem?ldegalerie,_Dresden)._The_panel_depicts_the_Nailing_to_the_Cross,_where_a_man_in_the_centre_is_drilling_a_hole_in_the_Cross.Artist:D?RER,_Albrecht_Title:_Study_of_a_Man_with_a_Drill___Painted_in__1501-1550___,__German__-_-_graphics__:_study |
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| Artiste précédent Artiste prochain | ||||||||||
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| Albrecht Durer | ||||||||||
| b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg | ||||||||||
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